Toutes peintures ā l'huile d'Moran, Thomas
ID Image Painting(From A to Z)    Details 
19525  
Moran, Thomas, A Pastoral Landscape
  		 A Pastoral Landscape   1889 Oil on canvas Flint Institute of Arts, Flint, MI.
50976  
Moran, Thomas, Blue Spring,lower geyser basin,yellowstone
  		 Blue Spring,lower geyser basin,yellowstone   mk217
19527  
Moran, Thomas, Chicago World's Fair
  		 Chicago World's Fair   1894 Watercolor on paper Brooklyn Museum, New York.
19514  
Moran, Thomas, Children of the Mountain
  		 Children of the Mountain   1866 Oil on canvas Anschutz Collection.
19519  
Moran, Thomas, Cliffs of the Rio Virgin, South Utah
  		 Cliffs of the Rio Virgin, South Utah   1873 Watercolor National Design Museum, New York.
19518  
Moran, Thomas, Cliffs, Green River, Wyoming
  		 Cliffs, Green River, Wyoming   1872 Watercolor on canvas Museum of Fine Arts, Boston.
19522  
Moran, Thomas, Gathering Storm near Maravatio, Mexico
  		 Gathering Storm near Maravatio, Mexico   1883 Oil on panel Private collection.
50972  
Moran, Thomas, Glory of the Canyon
  		 Glory of the Canyon   mk217
19520  
Moran, Thomas, Green River Cliffs, Wyoming.
  		 Green River Cliffs, Wyoming.   1881 Oil on canvas Private collection.
19528  
Moran, Thomas, June, East Hampton
  		 June, East Hampton   1895 Oil on canvas Private collection.
50974  
Moran, Thomas, Lower Falls of adam cheek
  		 Lower Falls of adam cheek   mk217
50973  
Moran, Thomas, Lower falls of the yellowstone
  		 Lower falls of the yellowstone   mk217
19521  
Moran, Thomas, Pass at Glencoe, Scotland
  		 Pass at Glencoe, Scotland   1882 Gilcrease Museum, Tulsa, OK.
19512  
Moran, Thomas, Slaves Escaping Through the Swamp
  		 Slaves Escaping Through the Swamp   1862 Oil on canvas Philbrook Museum of Art, Tulsa, OK.
49325  
Moran, Thomas, Slaves Escaping Through the Swamp
  		 Slaves Escaping Through the Swamp   mk195 1863 Oil on canvas 32x43
30889  
Moran, Thomas, Sunset Venice
  		 Sunset Venice   mk68 Oil on canvas Newark Newark Museum 1902 Italy
19513  
Moran, Thomas, The Autumnal Woods
  		 The Autumnal Woods   1865 Oil on canvas.
19526  
Moran, Thomas, The Grand Canal
  		 The Grand Canal   1889 Oil on canvas.
19517  
Moran, Thomas, The Grand Canyon of the Yellowstone
  		 The Grand Canyon of the Yellowstone   1872 Oil on canvas.
31978  
Moran, Thomas, The Grand Canyon of the Yellowstone
  		 The Grand Canyon of the Yellowstone   mk77 1872 Oil on canvas 84x144 1/4in
19516  
Moran, Thomas, Tower Falls
  		 Tower Falls   1872 Watercolor on canvas Gilcrease Museum, Tulsa, OK.
50975  
Moran, Thomas, Untitled lithograph
  		 Untitled lithograph   mk217
19515  
Moran, Thomas, Upper Falls, Yellowstone
  		 Upper Falls, Yellowstone   1871 Watercolor on paper Philbrook Art Center, Tulsa, OK.
19523  
Moran, Thomas, Vera Cruz Harbor, Mexico
  		 Vera Cruz Harbor, Mexico   1884 Oil on canvas.
19524  
Moran, Thomas, View of Venice
  		 View of Venice   1888 water color and gouache over graphite Corcoran Gallery of Art, Washington D.C.
Moran, Thomas
American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings



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